{"id":4039,"date":"2024-09-13T13:14:29","date_gmt":"2024-09-13T13:14:29","guid":{"rendered":"https:\/\/www.shavuatov.co.uk\/?p=4039"},"modified":"2024-09-13T13:15:38","modified_gmt":"2024-09-13T13:15:38","slug":"lauren-bacall-2","status":"publish","type":"post","link":"https:\/\/www.shavuatov.co.uk\/?p=4039","title":{"rendered":"LAUREN BACALL"},"content":{"rendered":"\n

<\/h1>\n\n\n\n
\"Lauren
Lauren Bacall's Hollywood career spanned seven decades CREDIT: Photo: Rex Features<\/figcaption><\/figure>\n\n\n\n

Lauren Bacall, the actress, who has died aged 89, brought a new style of sexual equality and allure to the Hollywood cinema in the 1940s by co-starring in four films with Humphrey Bogart; the couple fell in love while making Howard Hawks\u2019s To Have And Have Not (1944) and were married by the time they made the same director\u2019s The Big Sleep in 1946.<\/p>\n\n\n\n

Tall, slim and sultry, with a hoarse voice and a cryptic personality, Miss Bacall was the perfect match for Bogart\u2019s rugged cynicism, \u201ca leggy, blonde huntress,\u201d as one critic noted, \u201cwhose cat\u2019s eyes never blinked before Bogart\u2019s scowls\u201d. In each film they created a special atmosphere of dry, terse comedy and tough-guy talk which masked their underlying affection for one another and seemed unique in popular cinema for the balance of power their roles created between the sexes.<\/p>\n\n\n\n

Sensual but never sentimental, insolent, sharp-witted, laconic, cool and above all sophisticated, they seemed, as another observer put it, even to kiss out of the corners of their mouths.<\/p>\n\n\n\n

Higher brows were moved to compare the tone of these mating games with that of Beatrice and Benedick in Much Ado About Nothing, though the style owed more to Raymond Chandler or Hemingway than to Shakespeare. At all events, they brought a new and personal chemistry to the screen which made the partnership refreshingly equal at every level.<\/p>\n\n\n\n

Although Lauren Bacall was an actress of accomplishment in her own right, it was her acting in only four films with Bogart and their enduring marriage that turned them as a couple into the stuff of legend, and enhanced her own dramatic reputation more than any anything she did elsewhere in films or on stage.<\/p>\n\n\n

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\"Lauren<\/figure>\n<\/div>\n\n\n

Lauren Bacall in 1946 (REX)<\/sup><\/p>\n\n\n\n

One of her most famous lines was in To Have And Have Not when they were about to go their separate ways after bidding each other goodnight. At the door she turned and said: \u201cYou know how to whistle? You put your lips together and\u2026 blow.\u201d<\/p>\n\n\n\n

As the American critic James Agee wrote: \u201cWhether or not you like the film will depend almost entirely on whether you like Miss Bacall. I am no judge... It has been years since I have seen such amusing pseudo-toughness on the screen.\u201d<\/p>\n\n\n\n

Lauren Bacall, who was born in New York City as Betty Joan Perske on September 16 1924, was the only child of William Perske, a salesman of medical instruments from Alsace, and his wife Natalia, of Romanian and German-Jewish extraction. They divorced when their daughter was six. The mother adopted the name Bacal; the daughter added an \u201cl\u201d to stop it rhyming with \u201ccrackle\u201d. She always disliked \u201cLauren\u201d, the name bestowed on her by Hollywood, preferring to be known as Betty.<\/p>\n\n\n\n

Educated at the expense of wealthy uncles at a private boarding school, Highland Manor, Tarrytown, New York, and at the Julia Richman High School, Manhattan, Betty intended to be a dancer, having attended ballet classes since infancy. But in adolescence she was drawn to acting.<\/p>\n\n\n\n

Inspired by Bette Davis films, she enrolled at the American Academy of Dramatic Arts when she was 15, dating Kirk Douglas, who was there on a scholarship; but as the academy precluded scholarships for girls, she was obliged to leave after a year before bluffing her way into a job modelling sportswear.<\/p>\n\n\n\n

Sacked for being Jewish, or flat-chested (or both), she took another job modelling gowns for a Jewish dress shop and in the evenings worked as an usherette. In 1942 she made her stage debut at the Longacre Theatre, New York, as a walk-on in a melodrama called Johnny 2 X 4, and played the ing\u00e9nue in a pre-Broadway tour later that year. Then she took a job modelling for Harper\u2019s Bazaar.<\/p>\n\n\n\n

Leafing through the magazine in 1943, Mrs Howard Hawks, wife of the Hollywood director, drew her husband\u2019s attention to the girl on the cover. Hawks cabled the magazine asking if she was free; she subsequently turned up on their doorstep.<\/p>\n\n\n\n

After a screen test she signed a seven-year contract with Hawks and the producer Jack Warner for $250 a week, changing her name from Betty to Lauren. Hawks went to work on her voice. Taking her to some waste ground, he made her shout Shakespeare and other writers for hours every day in order to lower the tone of what he called her high nasal pipe.<\/p>\n\n\n\n

After the daily exercises in the open air her voice became for him (and for the rest of the world) what he called \u201ca satisfactorily low guttural wheeze\u201d. He then insisted that in future she should always speak naturally and softly. Above all, she should ignore suggestions for \u201ccultivating\u201d her voice.<\/p>\n\n\n\n

Within a year of her discovery on the front of Harper\u2019s, Hawks had cast her with Bogart in To Have And To Have Not and directed her in such a way that her acting, with its insinuating sexuality and offhand independence, caused a sensation.<\/p>\n\n\n\n

Hawks had urged her to play each scene exactly as she felt her character would behave: to act as if she were living the part. If she were true to her own feelings, she would be true to the film.<\/p>\n\n\n\n

One scene sprang entirely from her imagination. After an emotional episode in a hotel room with Bogart\u2019s Harry Morgan, Bacall\u2019s Marie left him, according to the scenario, and returned to her own room. Between takes, Bacall grumbled to Hawks: \u201cGod, I\u2019m dumb.\u201d<\/p>\n\n\n\n

\u201cWhy?\u201d he asked. \u201cWell\u201d, she replied, \u201cif I had any sense I\u2019d go back after that guy.\u201d So she did.<\/p>\n\n\n\n

At 19 she had become, in her first film, one of Hollywood\u2019s most sensational, relaxed and dominating newcomers: husky-voiced, aloof and shrewdly impervious to insult. This was Bogart\u2019s most interesting screen partner for years, in an otherwise hazy melodrama about the French Resistance at Martinique with Bogart as a sea skipper, edgy, grey-voiced, unsure of this strange girl called Marie.<\/p>\n\n\n

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\"Lauren<\/figure>\n<\/div>\n\n\n

Lauren Bacall and Humphrey Bogart in 'Dark Passage' in 1947 (ALLSTAR)<\/sup><\/p>\n\n\n\n

Some of her lines entered film mythology, such as (after Bogart has kissed her for the second tentative time), \u201cIt\u2019s even better when you help.\u201d To everyone\u2019s astonishment, she also sang (or rather croaked and growled, like a trombone) a suggestive song in a seamen\u2019s bar.<\/p>\n\n\n\n

She was promoted by Warner Brothers, her studio, as \u201cThe Look\u201d because of her way of looking up suggestively with her lynx-eyes from under a high forehead (and through a haze of cigarette smoke) at the rugged, appreciative Bogart.<\/p>\n\n\n\n

In 1945 she became his fourth wife; she was 25 years his junior, and the partnership endured until his death nearly 12 years later. Along with her husband, she actively campaigned for the Democrats and protested against Hollywood\u2019s blacklist of suspected Communists.<\/p>\n\n\n\n

Lauren Bacall was miscast in Confidential Agent (1945), a thriller derived from Graham Greene\u2019s novel about the Spanish Civil War with Charles Boyer as a Spanish agent; she was, as one critic put it, about as English as Pocahontas, although her \u201cvery individual vitality made up for her deficiencies\u201d. The following year, Hawks brought her back with Bogart in The Big Sleep.<\/p>\n\n\n

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\"Lauren<\/figure>\n<\/div>\n\n\n

Lauren Bacall and Humphrey Bogart in 'The Big Sleep' (REX)<\/sup><\/p>\n\n\n\n

The level-pegging of their partnership was curious, unusual and, in those days unexpected in films. One theory was that Hawks\u2019s dislike of Bogart was behind it. Before The Big Sleep, the director was reputed to have said to Bogart: \u201cYou are about the most insolent man on the screen and I\u2019m going to make the girl a little more insolent.\u201d<\/p>\n\n\n\n

And so it proved. In their second film together, in which she played the rich antagonistic daughter of Bogart\u2019s employer, in a fine adaptation of the Raymond Chandler novel, she proved every bit as cool and independent as she had been in To Have And Have Not.<\/p>\n\n\n\n

Neither of their other two films together was a patch on their predecessors. In Dark Passage (1947), Lauren Bacall sheltered a heavily-bandaged Bogart in his attempt, as an escaped convict, to prove that he had not murdered his wife. All that Delmer Daves\u2019s screenplay proved was that without sharp dialogue, an element of sexual rivalry or a more intelligent scenario, Bogart and Bacall were not themselves.<\/p>\n\n\n

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\"Lauren<\/figure>\n<\/div>\n\n\n

Lauren Bacall and Humphrey Bogart at a Paris cafe in 1950 (GETTY)<\/sup><\/p>\n\n\n\n

John Huston\u2019s Key Largo (1948) was a far better film, but it still failed to find any of the old style of banter for them to exchange in its tense tale of a bunch of gangsters who invade a hotel run by Miss Bacall, a war widow.<\/p>\n\n\n\n

It was as if, having awakened public interest in the pair as a screen partnership, Warner Brothers could not find material to keep their characters effectively together. This was the film in which, to get the right facial expression from Lauren Bacall, Huston twisted her arm. He got the right expression but he never got her into another of his films. Key Largo was also her last film with Bogart who, unlike Lauren Bacall, went on to make some of the finest films of his career.<\/p>\n\n\n\n

In 1950 she was the socialite who married Bix Beiderbecke (Kirk Douglas) in Young Man With A Horn, and appeared with Gary Cooper in Bright Leaf. Her gift for acid comedy came out nicely in Jean Negulesco\u2019s How To Marry A Millionaire (1953), with Marilyn Monroe and Betty Grable, and in the same director\u2019s A Woman\u2019s World (1954).<\/p>\n\n\n

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\"(lt-rt)<\/figure>\n<\/div>\n\n\n

Betty Grable, Lauren Bacall and Marilyn Monroe on the set of How to Marry a Millionaire (REX FEATURES)<\/sup><\/p>\n\n\n\n

As an occupational therapist and Richard Widmark\u2019s mistress in Vincente Minnelli\u2019s Designing Woman (1957), she was miscast as a scatterbrained fashion queen opposite Gregory Peck.<\/p>\n\n\n\n

In Douglas Sirk\u2019s Written On The Wind (1957) she was supposed to have been swept off her feet by an oil millionaire. Was the baby his (Robert Stack\u2019s) or his best friend\u2019s (Rock Hudson\u2019s)? Nobody much cared, least of all Miss Bacall, for Bogart died that year .<\/p>\n\n\n\n

Two years later, after playing a tough-talking American governess in the British melodrama North-West Frontier, with Kenneth More, Lauren Bacall decided to return to the stage after an absence of 17 years. As Charlie in Goodbye Charlie (Lyceum, 1959), the story of a man\u2019s return to earth after death as a woman, she played with considerable success opposite Sidney Chaplin.<\/p>\n\n\n\n

In 1961 Lauren Bacall married the actor Jason Robards. (There had been earlier talk of marriage to Frank Sinatra, \u201cbut Frank just couldn\u2019t cope with the idea\u201d she said years later).<\/p>\n\n\n\n

In the 1960s her films became less reliable . In Shock Treatment (1964) she played a batty psychiatrist; in Sex and the Single Girl (1965) a squabbling neighbour (with Henry Fonda); and in Jack Smight\u2019s Harper (1966) a vindictive wife in a film which paid homage to Bogart, with Paul Newman as a private detective.<\/p>\n\n\n

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\"Lauren<\/figure>\n<\/div>\n\n\n

Lauren Bacall (REX)<\/sup><\/p>\n\n\n\n

After that she worked mostly on Broadway. Apart from more than a year\u2019s run as Stephanie, the nurse, in Abe Burrows\u2019s comedy Cactus Flower (Royale, 1965), which some admirers considered the best role of her career, she spent three years as Margo Channing, a stage star threatened by a young rival, in the musical Applause, first in New York (Palace, 1970), for which she received a Tony award, then in Toronto, Chicago and on tour, before making her London debut in the same part at Her Majesty\u2019s (1972).<\/p>\n\n\n\n

Her role in Applause was the one Bette Davis had filled more flamboyantly in the film All About Eve. Lauren Bacall\u2019s stage acting showed the same agreeable insouciance as her film acting .<\/p>\n\n\n\n

She returned to the screen in 1974 in the Agatha Christie derivation, Murder On The Orient Express; and two years later faced, with admirable and stylish antagonism, John Wayne in Don Siegel\u2019s The Shootist. This brought together one tough hombre and one tough cookie, and was the sharpest match since Bacall had first met Bogart.<\/p>\n\n\n\n

As an indefatigable journalist in the musical Woman of the Year on Broadway in 1981, she took a slight story, according to the The Daily Telegraph\u2019s John Barber, and injected into it \u201call the dynamism of a fascinating personality\u201d.<\/p>\n\n\n\n

In 1985 she was back in the West End in Harold Pinter\u2019s revival of Tennessee Williams\u2019s Sweet Bird of Youth (Haymarket).<\/p>\n\n\n\n

The Fan (1981) brought her back to the screen as a successful actress entangled with a young man in her first Broadway musical, and seven years later she contributed to another all-star Agatha Christie film, Appointment With Death. She also stole a child in a psychological film thriller, Tree of Hands (1989).<\/p>\n\n\n\n

Of her many television appearances the most notable included Blithe Spirit and The Petrified Forest in 1956 and a role in the Frederick Forsyth Presents drama series.<\/p>\n\n\n\n

Lauren Bacall was, perhaps, an actress more famous for whom she was thought to be than for what she actually did. \u201cIt was those pale eyes framed by a tawny mane, a way of walking that suggested a panther in her family tree, and a husky voice that could set a spinal column aquiver,\u201d noted one reviewer.<\/p>\n\n\n\n

She kept up the image of a sharp-tongued, no-nonsense feminist in interview after interview down the years. Journalists were slightly scared of her. But in truth \u2014 and unlike, say, Katharine Hepburn \u2014 she did not go on to create a substantial body of work. Her fame continued to rest largely on the early films with Bogart.<\/p>\n\n\n

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\"Lauren<\/figure>\n<\/div>\n\n\n

Lauren Bacall in later life (GETTY)<\/sup><\/p>\n\n\n\n

Her memoir, By Myself, appeared in 1978, followed in 2005 by And Then Some by way of an addendum. In this she described working visits to Paris making Robert Altman\u2019s satirical Pr\u00eat \u00e0 Porter (1994) and to Britain, where she starred in The Visit at the Chichester Festival in 1995.<\/p>\n\n\n\n

Lauren Bacall received a Golden Globe and an honorary Oscar. In 1996 she was nominated for an Academy Award for best supporting actress for her role as Barbra Streisand\u2019s mother in The Mirror Has Two Faces. She continued to make occasional appearances on screen, including, in 2006, appearing as herself in an episode of The Sopranos. In 2004 she had a supporting role alongside Nicole Kidman in Birth, a psychological drama directed by Jonathan Glazer.<\/p>\n\n\n\n

Her marriage to Jason Robards ended in divorce in 1969. In 1983 there had been talk of her marrying Harry Guardino, a former film co-star, but it came to nothing. She had a son and a daughter with Humphrey Bogart and a son with Jason Robards.<\/p>\n\n\n\n

Lauren Bacall, born September 16 1924, died August 12 2014<\/strong><\/p>\n\n\n\n

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Lauren Bacall, the actress, who has died aged 89, brought a new style of sexual equality and allure to the Hollywood cinema in the 1940s by co-starring in four films with Humphrey Bogart; the couple fell in love while making Howard Hawks\u2019s To Have And Have Not (1944) and were married by the time they […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[11],"tags":[],"class_list":["post-4039","post","type-post","status-publish","format-standard","hentry","category-celebrities"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/4039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4039"}],"version-history":[{"count":1,"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/4039\/revisions"}],"predecessor-version":[{"id":4040,"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/4039\/revisions\/4040"}],"wp:attachment":[{"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.shavuatov.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}